All other things being equal, any file using simple L/R stereo over joint-stereo will sound exactly the same and be bigger. Most types of joint-stereo losslessly store data in a way that makes files smaller. List from such talented Blues artists as BB King, Bob Dylan, Jimi Hendrix, The Rolling Stones, Eric. That all comes down to personal preference. We Playing a mix of Blues, Rock, Classic Rock And the 70s. Our Blues Rock station plays a wide range of Blues and Rock music around the clock 24/7. Go lossless, joint stereo was a relic of the late 90s and does pretty horrible things to the stereo imaging of an audio file, it compares the differences in the stereo image and only replicates those differences in each channel but as with all lossy compression techniques it is not perfect and the end result is a narrowing of the stereo field along with the usual compression artifacts of an mp3.

It's difficult to see joint stereo in a sentence. Description: Joint Radio Blues is part of a group of radio stations called Joint Radio Net.

If the difference between left and right is large, standard ( discrete, left / right ) stereo encoding may be preferred, as mid / side joint stereo will not provide any benefits.

In addition to Layer II's intensity encoded joint stereo, MP3 can use middle / side ( mid / side, m / s, MS, matrixed ) joint stereo.

This reduces the data rate to 66 kbit / s ( half that of LP2 ), partly by using joint stereo coding and a lowpass filter around 13.5 kHz.

For example, it is used in the mid / side joint stereo preprocessing by the LAME MP3 encoder and other lossy audio encoders ).

As with MP3, Ogg Vorbis stereo files can employ either L / R stereo or joint stereo.

A reputation for loss of sound quality arose because intensity. The most common form of modern joint stereo is mid/side (M/S) stereo coding (lossless math just makes files smaller).

Only some forms of joint stereo use the joint frequency encoding technique, such as intensity stereo coding. Answer (1 of 5): ThereвЂ™s been historical confusion related to hit-or-miss EARLY implementations of joint stereo.

The last mode, LP4 has a bitrate of 66 kbit / s and uses joint stereo coding.

When using joint stereo, both M / S stereo and intensity stereo methods may be used.

From December 2007, this was increased to 128 kbit / s in joint stereo.

Joint stereo or stereo